Publication:
Coming of Age in the Contemporary American Photography: John Kaplan’s 21

dc.contributor.authorBotescu Sireteanu, Ileana
dc.date.accessioned2025-09-19T14:14:27Z
dc.date.issued2013-01
dc.description.abstractThe present paper situates its concerns at the crossroads of theories of culture, visual culture and Gender Studies in its attempt at investigating John Kaplan’s photographic essay 21. Primarily grounded on Baudrillard’s description of hyperreality, this study insists on the stereotypical quality of Kaplan’s photographs which turns his Pulitzer winner series into a parodic celebration of American stereotypes of all kinds: gender-related, race-related, age-related, culture-related. This study also discusses the problematic relationship between reality and representation, which photography is wrongly assumed to conveniently solve. Thus, it debunks photography’s claims to objectively represent reality. It also illustrates the various functions of stereotypical representation in visual art. Key words:gender stereotypes, visual culture, American photography, parody
dc.identifier.issn2971-9380
dc.identifier.urihttps://repository.unitbv.ro/handle/123456789/1745
dc.language.isoen_US
dc.publisherBulletin of the Transilvania University of Brasov. Series IV. Philology and Cultural Studies
dc.subjectgender stereotypes
dc.subjectvisual culture
dc.subjectAmerican photography
dc.subjectparody
dc.titleComing of Age in the Contemporary American Photography: John Kaplan’s 21
dc.typeArticle
dspace.entity.typePublication

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